(As loud as can be) because of another issue related to the pitch shifter. (Like a whole show coming down to a halt waiting for multiple reboots until the issue was gone, somehow.) Terrible +24dB WHACKwhickwhackwhrack in the P.A. When our pro2 was delivered (in october of 2012) it came from the US (I live in canada) and it came with an old firmware (two versions before 2.05.04) and I got some terrible issues.
#MIDAS PRO OFFLINE EDITOR UPDATE#
(I'm not talking specifically about the 2.1.02 firmware update but in general) That's another issue, why is the current firmware of the console not announced or simply displayed on the Midas site? Īlso, I could not find what was stated here ( Midas Press Release) This issue was there before the update and is still an issue in 2.01.02. But instead, the machine stays flipped and there is nothing to do about it except (what has sadly become a routine operation for me) deselect the flip button, select an input and re-select the flip button returning effectively to the expected flipping behavior. So if you're in flip mode and you do flip to an aux or a matrix, it is expected that when you re-select said aux or matrix that you would "flip back" to your standard non-flipped mode. But damn is this a frustrating one (especially when training someone to use it). I'm still getting trapped in flip mode (am I the only one experiencing this issue?) I never notified Midas about this because I could not reproduce the bug at will. It's an RTA with multiple inputs and signal comparison capabilities.
#MIDAS PRO OFFLINE EDITOR FOR FREE#
I have secured the loan FOR FREE of a DN9650 with a MADI network card AND an RME MADIface USB complete with 30m CAT5 - this will allow all the gear to be on stage and allow me to start recording at the start of the show and some BNC cable for the weekend. These can be phase aligned with the rest of your mix and blended in to add the feel of something actually happening in a real space, and can be brought up at top and tail of tracks to give crowd noise etc. I'd also suggest either bringing along or asking the venue to supply ambient mics to be recorded along with the rest of your input list.
If it looks like it'll all come together, I'd go in there with a well prepared template file in your DAW of choice, and have an extra person with you to operate the recording laptop, as there's every chance that the house guy might be pressed for time to check it's all good before your show starts. Might have to do a bit of ringing around as it's quite specialist equipment and will probably only be carried by rental houses that predominantly use Midas consoles. If he's happy to do it, I'd approach a pro audio hire company local to the venue and enquire about the kit. I'd start with asking the venue if they're happy to facilitate it, as it's a bit of extra faff and configuration for the guy behind the desk to worry about, when he's likely to already be dealing with tight changeovers and all the other complexities of a live show. Pretty sure you need to connect a Klark Technik DN9650 to the AES50 port of the Midas, and the 9650 needs to be loaded with either:Ī: a Dante card which can be connected to a computer running Dante Virtual Soundcardī: a MADI card which can be connected to a computer with something like an RME Madiface in between
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